By Marguerite Bennett (Writer) // Renato Guedes (Art, Cover & Glorious Black And White Tones)
Synopsis: In the 1970s, legendary filmmaker Oliver Larsen began production on what was to be his horror masterpiece. Obsessed with authenticity, the megalomaniacal director insisted on filming a real-life occult ritual performed by actual cult members. The cast and crew, of course, gave no credence to the cultists’ beliefs but soon were proselytised as something awoke that day on the studio lot. In the bloody aftermath, the production was permanently shut down, the footage suppressed, and the soundstage that bore witness forever shuttered.
Aviva Copeland is the newly promoted studio head — the youngest in decades. Great things are expected of her. Maybe greater than is fair. She has the unenviable task of restoring the studio’s fading image and resurrecting its financial viability. She’s up for the challenge. Pouring over the sea of red in the company ledger she finds just the thing to help her do it — a prime piece of California real estate has been sitting unused on the studio books, hemorrhaging money for decades. Why would they let a lot this valuable just rot? Aviva will soon find her answer and with it she will discover that though the lot may have been closed for a half-century, it’s far from empty…and the evil that lives within its haunted walls will soon seize its chance to kill again.